Sunday, August 20, 2017

Live Event This Weekend!


This month's Live Event will be 'Photography for Illustrators'.

Few things can help improve an illustrator's end product as easily as a great piece of reference. Find out how to get that perfect shot that's going to help push your realism to the next level. In this 2 hour demo, we will discuss and demonstrate a variety of photography topics that specifically pertain to illustrators, including:

  • Hiring & Paying Models
  • Lighting Techniques
  • Action Poses
  • Blending Reference
  • Photographing Original Art

Please join us Saturday, August 26th from 3-5 PM for this highly informative demonstration and lecture.

As usual, all $5 Patrons get access to the live event, and $10 Patrons receive a digital download of the demo afterwards.

Sign up, or get more info at: https://www.patreon.com/muddycolors


Saturday, August 19, 2017

Artist of the Month: Annie Leibovitz

-By William O’Connor


In our line of work as illustrators we all use photography to a lesser or greater extent. Some illustrators, like myself, have a very stylized technique where our use of photography may be merely inspirational, while other artists I know have photo studios, set up models with costumes and lighting while others actually go as far as to paint directly on top of photographs. There is no wrong way to work, but whatever way you do illustration it's unlikely that photography has not played at least a small part in your work. Despite our effusiveness of Caravaggio or Sargent its arguable that modern photography has been as important (or more) than painters in our vernacular as contemporary artists. I realize that I have not highlighted a single photo artist yet so I hope to start today.

When I think of photographers who influence art there are Steiglitz, Adams and Sherman, but few who I can see more of a direct impact to our contemporary fantasy illustration aesthetic than Annie Leibovitz (1949-) Born a baby boomer in middle class America Annie traveled around the world with her Air Force family taking photographs and later studied painting in San Francisco in the 1960’s. Taking a job with Rolling Stone in the Seventies and later with Vanity Fair in the 1980’s Leibovitz became the foremost portrait photographer in America. Her early art education is well evidenced in her use of lighting and composition infusing her images with a classical elegance that seems almost Baroque. Her painterly use of the figure sumptuously draped in color and an attention to detail that captures a stark reality of her often fantastical tableaus is remarkable. In her portraits she is able to capture the essence of the person’s character by use of body language, detail, lighting and sometimes in a candid unposed moment, which is the real art of any photography. 


Today, Annie Leibovitz is one of the most sought after and copied photographers in the world both by photographers and artists alike. The next time you are leafing through the latest edition of an illustration annual take a look at how many beautifully composed images look uncannily inspired by Leibovitz and you can begin to see her influence.

Enjoy

WOC

**Please leave a comment below or DM on what artists you’d like to see me explore. Remember, this column is for artists who are outside the illustration field that you feel we may be overlooking as illustrators.



  A Gallery of Works by Annie Leibovitz:










Moncler Photo Shoot

Friday, August 18, 2017

New Blood

by Howard Lyon

New Blood sounds like it could be the title of a WB show where a clique of teenage vampires looks for new and worthy recruits for their brood, all while dealing with unrequited love, math finals and looking fabulous. So I must apologize, because this post is about a new piece of art that I created for Magic: the Gathering Commander 2017.

Within the Magic: the Gathering universe, among the many worlds I think that Innistrad is my favorite. Any chance to paint something in that setting is a treat. Gothic spires and tri-corner hats with baroque sensibilities and dramatic lighting. Please sir, I'd like some more.

Mark Winters was the Art Director on this piece (thank you Mark!) and I jumped at the chance to revisit Innistrad.

The idea was to show the vampire Olivia Valderan stalking a victim. The hapless young man enjoys his drink, not knowing that he is being eyed by the powerful woman behind him. She gently raises her hand to his neck, hungrily eyeing his jugular. Good times were had by all.

The sketch


Painting steps


The final - Mark made the good call to crop in a little bit to bring more attention to Olivia's face and her hand on his neck.


Here is the final image on the card:



Thanks for taking a look! Come and join me on Instagram and Twitter to see various sketches and paintings in progress.

Howard